Free Download Bystander: A History of Street Photography, by Colin Westerbeck
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Bystander: A History of Street Photography, by Colin Westerbeck
Free Download Bystander: A History of Street Photography, by Colin Westerbeck
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About the Author
Joel Meyerowitz started making spontaneous color photographs on the streets of New York in 1962 with friends such as Tony Ray-Jones and Garry Winogrand. He has since become known as one of the most important street photographers of his generation. Instrumental in changing attitudes towards color photography in the 1970s, he is known as a pioneer, an important innovator, and a highly influential teacher.Formerly a Curator of Photography at the Art Institute of Chicago and Director of the California Museum of Photography at the University of California, Riverside, Colin Westerbeck has also taught the history of photography at the University of Southern California and, currently, UCLA. He is internationally acknowledged as the foremost expert on street photography.
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Product details
Hardcover: 400 pages
Publisher: Laurence King Publishing; First Edition edition (November 7, 2017)
Language: English
ISBN-10: 9781786270665
ISBN-13: 978-1786270665
ASIN: 1786270668
Product Dimensions:
9.1 x 1.5 x 11.9 inches
Shipping Weight: 5 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#454,834 in Books (See Top 100 in Books)
First off, I am a big street photography aficionado, so I grade this book against the dozens of others in my collection. If you only read this book, your opinion may differ.Previous reviewers mention the layout of the photos, and I agree that it does seem random, often leaving vast areas of unused page space, and then multiple photos jammed into the same area. At first I thought this was to avoid double page speads, which I hate because I feel the seam can ruin the overall composition, but no, there are several of these double page photos. The layout aside, I am able to compare many of these images to the same photo as they appear in my other books, famous photos by the stars of the genre, and there is something missing in the reproductions in this book. There is a thinness, a lack of contrast in many of these photos. I can see the difference like night and day when viewing the same photo in other books side by side. This is not terrible, but the art is not represented at its best potential, which could be misleading to those who are just exploring this photography for the first time via this book.As for the narratives, I loved reading the reminiscing on Gary Winnogrand, and his process. There are some great explanations about the thought processes of the act of street shooting through out many decades. These add to the value of the photos.
Bystander does not stand on the sidelines. Instead, author Colin Westerbeck dives deep into sometimes shallow waters as he seeks to represent a street photography that is many things, but most decidedly pure of any "taint" of postmodernism. Westerbeck clearly wants to "save" street photography in a world overladen with images and an art history that has all to often ignored street photography as a genre. His ardor however sometimes results in churlish takedowns of artists that are, quite simply, naive (see his discussions of Jeff Wall and Cindy Sherman). Nevertheless, tiresome as it sometimes is, this is an interesting book. The chapters focusing on Atget and Cartier-Bresson are fascinating, if revealing a disinterest or, perhaps, a lack of awareness of post 80s art historical discussions of Romanticism, Victorianism, Modernism, and so forth. So take much of the commentary with a grain of salt. Other reviewers have rightfully criticized the decidedly narrow scope of a book calling itself a history of street photography (Japan, for example, is ignored). This is why it's handy to view the book more as a polemic of it's time. Imperfect as it may be, there is really no alternative. And, it's filled with entertaining writing--how often can anyone say that of a book produced by an academic? Currently priced in hardback for 40.00 and change, the book is a steal. Buy it, if only for the lovely reproductions that yes and alas sometime stretch across the gutter.
An excellent resource for information and inspiration.
A possibly distinguished book marred by page layouts with inside margins so close to the binding that the essays,set in small type on grey background, are unpleasantly difficult to read..
comprehensive history
A wonderful cornucopia of photographs and some superb, informative writing about the history of street photography. Very good value.
Great history of street photography!If you want to be a good street photographer; learn your roots!Tons of photographs, pretty much ALL the iconic images of the genre. The text is scholarly but flows nicely.One of my favorite photography books of all time
A substantial and essential overview of the history and development of street photography. It's academic but only in the loosest sense.
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