PDF Ebook Modelling and Sculpting Animals (Dover Art Instruction), by Edouard Lanteri
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Modelling and Sculpting Animals (Dover Art Instruction), by Edouard Lanteri
PDF Ebook Modelling and Sculpting Animals (Dover Art Instruction), by Edouard Lanteri
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From the Back Cover
"A joy to read, as well as a constant reference library. Thoroughly inspiring."—WorkbenchThe republication of this highly valuable text by Edouard Lanteri, a renowned teacher, sculptor, and intimate friend of Rodin (Rodin called him "my dear master, my dear friend"), makes it possible for serious students to gain the requisite skills needed for figurative sculpture and to bridge the gap between artistic concept and figurative realization.Modelling and Sculpting Animals, together with its companion piece Modelling and Sculpting the Human Figure, is the classic treatise on the techniques of figurative sculpture. Representing at least three thousand years of studio lore, this readily understandable, authoritative guide is a goldmine of technical information, easily comprising a four-year sculpture curriculum unavailable elsewhere.In this reasonably priced volume, devoted almost entirely to the modelling of animals, Lanteri offers thorough step-by-step instruction for the figurative sculptor. Beginning with a description of the historical symbolism of animals in different cultures, the author then proceeds to give meticulous anatomy for the horse, lion, and bull. Rules of motion, measurements of construction, erecting the framework, tools, materials, and other pertinent aspects of animal sculpture are covered in detail. The final section presents a comprehensive exposition of the methods of casting in plaster, including how to mix the plaster, applying successive layers and irons, opening the mold, soaping and oiling, chipping off the mold, and special precautions. A profusion of illustrations—over 200 photographs, drawings, and diagrams—clearly demonstrate every principle and method the author describes. 64 full-page photographic plates, 139 drawings and diagrams.
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Product details
Series: Dover Art Instruction
Paperback: 352 pages
Publisher: Dover Publications; 1st Edition edition (September 1, 1985)
Language: English
ISBN-10: 0486250075
ISBN-13: 978-0486250076
Product Dimensions:
5.4 x 0.9 x 8 inches
Shipping Weight: 15.5 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#524,441 in Books (See Top 100 in Books)
Professional book, detailing anatomy and muscles and everything to do with horses. It’s perfect even for drawing the horse. The armature description for sculpting was very useful also.
Unfortunately too technical for me.
This book, like Lanteri's other work, offers a depth of instruction and insight that is unmatched in sculpture books. In this volume, Lanteri's genius is focused on the subject of wildlife, and I am certain that you will not find better instruction on this subject for any medium than you will in this book.
For those of us who really need help with getting the relative proportions of animals right, this is the best yet. Unfortunately, the selection of animals is somewhat limited, but if it fits your needs, there is none better.
informative
This book presents an interesting dichotomy: on the one hand it is a seminal publication on sculpting and animal anatomy, on the other is is hopelessly out of date rendering some of the information within of questionable value.Originally published in 1911 (!) Lanteri was a teacher to Rodin, amongst others, and there is a touching letter from him reproduced at the start. I think one should remember reading this the perspective of the writer - a sculptor of the French 19th century style, moreover a sculptor of monuments from this period - which almost by definition demand a fairly clinical approach. The resulting pieces are of undoubted skill, and I personally am a great admirer of this school of representation, but many will find them a bit sterile I suspect.The book is subdivided into 18 chapters, beginning with introductory remarks on the symbolism of sculptural representations of animals in disparate cultures. The second chapter is over eight pages of text discussing the horse, mentioning breeds, characteristics and other points with comment on form and movement. Chapter III is on the sculpting of a quarter-scale model of a horse, with supporting diagrams and sequential photos. The next chapter is short, concerning proportions and the next is even shorter, on refinement of the model. Chapter VI is titled "Some Special Points" and here we get to the meat (literally!) with over 30 pages of clear anatomical diagrams showing the muscles and skeleton of the horse in plan and side views. Chapter VII is on general principles with quotes from a number of "men of great artistic value" and includes four views of a sculpted anatomical study of the horse showing stunning mastery of form and detail. The next five chapters essentially deal with scaling up the model to full size using a laborious but obviously workable technique called pointing and chapter XIII is on pointing a relief. Chapter XIV discusses sculptural representation of other animals and XV through XVIII deal with sculpting the lion and then the bull, again with detailed anatomical drawings. The final three-part section, on casting in plaster, rounds out the book and here it really shows its age as I believe that modern materials like casting rubbers and alginates have almost completely done away with destructive casting methods (where the original and then the mould are both destroyed to make the final plaster).The bulk of the information contained within this books is in the text and herein lies another problem: this is a translation from French into English (and Edwardian English to boot) and the text although it has a certain charm can come across as dry, even aloof. Even when the information is of value, and there is a great deal of importance here, it will be difficult in this day and age for the casual reader to sift through and I have a suspicion that without some formal art training, or at least a fair knowledge of anatomy and/or sculpting techniques, it will prove impenetrable.In summary, for the serious student interested in monumental sculpture, particularly in this historical context, this is a must-have but for the casual reader and those seeking a how-to on sculpting animals I'd give this a skip. For those interested there is a companion book on sculpting the human figure.
Absolutely wonderful book!!
This book gives a lot of form to our four-legged animals by showing musculature and how to apply that to the sculpture. Also reviews how they set up the armature for the sculpting and describes the use of "life" in the action. Wonderful reference for the lion, horse, bull, etc.
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