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Product details
File Size: 66768 KB
Print Length: 241 pages
Publisher: Skyhorse; 1 edition (June 13, 2013)
Publication Date: June 13, 2013
Sold by: Simon & Schuster Digital Sales Inc.
Language: English
ASIN: B00CKXFKLE
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Amazon Best Sellers Rank:
#356,549 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
The history of graffiti has been misstated repeatedly. This may be the only telling that does not grossly simplify the very long history of graffiti. Although it's commentary on the political ramifications of an art movement arising from the criminal act of vandalism is thin and its conflation of graffiti with other forms of street art is arguably misguided, these are technical matters relating to my perspective on graffiti. This book is the only statement of graffiti history that I will cite as a reference. It is not the definitive history of the subject but it is the only book in the field that is close.
I chose to read this book because I am teaching a 9-week class about graffiti in the Fall. This book is a good resource for the class as it asks important questions about what is classified as graffiti, and what it has meant to society.
This is a wonderful book about an intriguing subject--graffiti and street art, which have always been with us even though we often think it's just a modern phenomenon. The author takes us on a fascinating journey through history which clearly shows that this most ephemeral of arts is also paradoxically one of the most permanent: from the beginning of time, it seems, people have felt the desire to express themselves on walls, and what they express runs the full gamut from true poetic and artistic sensibility to the crudest of sentiments, and the need to assert identity, from the runes of Varangians inscribing their names on Roman lintels to 'Kilcoy was here' and the tags of today. From vandals to poets, rebels to highly-paid cult figures, graffitists themselves vary as much as what they create, and cultural backgrounds also determine very different styles: the street art of Paris, for instance, which I know well, is very different in approach, media and style to that found in American cities. From the ubiquitous spray can to the startling use of icing sugar, the materials used to create vary enormously too, and there's even 'fake graffiti' which exists only as Photoshopped creations in cyberspace..The book is beautifully produced, lavishly illustrated with lots of color photographs(including some of my own, of Paris street art)and very well designed. Recommended.
I don't like graffiti, I'll say that now. Or rather I didn't until I found 'A Popular History of Graffiti' by Fiona McDonald.This book covers graffiti from all areas of history and Fiona's use of language made me interested enough to keep reading. Did you know that in Ancient times it was OKAY and almost expected to Graffiti on a regular basis? Even rude stuff! She has also sourced fantastic images of graffiti from around the world, including some that I recognised from my home town in the Blue Mountains in Australia.I've been a fan of Fiona's for years, especially her graphic novel 'Ghost Doll and Jasper' as well as her series of knitting books. Is there anything this woman can't do???
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